My diploma film at the University of Applied Arts in Vienna refers to early Visual Music (Hans Richter’s Rhythm 21 inspired the title) and evolves from realism (starting with a homage to E. Muybridge) to digital abstraction. Both visual and musical composition follow a strict polyrhytmic structure. Technically it is a quite complexe multiple exposure (via aerial image projection) of image loops of different lengths to 35mm, executed by the same animation camera specialist, who also had worked with Zbigniew Rybzyński, when he was in Vienna (1977-1983)